From scripts to interactive design, we lend our expertise in helping craft creative that will feel tailor made for this medium.
Our experienced crews are shooting worldwide, fully insured, and are masters of their craft.
Two, four, or seventeen cameras - it doesn't matter. We'll stitch them together in either 2D or 3D and composite and clean up to deliver a perfect immersive image.
Our post teams have years of experience working in digital entertainment and crafting visual effects wizardry, and they always know how to put the needs of the story first.
If you need interactivity, we create custom Unity apps for all platforms. We deploy to headset, web, and mobile devices to reach your audience wherever they want to watch.
We've put in the hours mastering this new medium so you don't have to. Let us help you make sure your project is a success.
A good pre-production makes for a smooth production and post-production pipeline. Because we understand the entire workflow, we can find ways to bring large projects within budget. We'll previz, storyboard, and collaborate close with your team to bring your vision to life.
Sometimes the unexpected occurs on set and that's when you need an expert who can adapt and ensure that the shoot will be a success. We know what works. We know what doesn't and we're always fighting to put the best content on the screen. No matter what camera - and we've shot on nearly all of them - we can help you with a professional production that captures the magic.
Bundling editorial with the stitching and other VFX makes for a fast and efficient pipeline that we've refined over years we've been crafting immersive content. Our editorial facility is hooked up with top of the line computers, blazing fast networked storage, and every tool you could possibly need for your project.
Virtual Reality creates a digital environment that replaces the user’s real-world environment. We consider anything meant to be viewed in a headset as Virtual Reality.
Augmented Reality overlays digitally-created content into the user’s real-world environment. Pokemon Go is a famous example of AR.
An experience that seamlessly blends the user’s real-world environment and digitally-created content, where both environments can coexist and interact with each other. Dreamscape Immersive is a popular MR experience.
An umbrella term to cover the multiple types of experiences and technologies across VR, AR, MR and any similar areas. X serves as a placeholder for augmented (A), mixed (M) and/or virtual (V).
Video that allows the user to look in every direction around him/her. This is often viewed outside of a headset. Examples include YouTube, Facebook 360, and Vimeo 360. 180VR is the front half of the sphere.
Shot with arrays of cameras and featuring real places. Live action offers a more realistic immersion experience. Content destined for Youtube or Facebook is often Live Action.
The world is created in a 3D game engine, looking more like a video game. This is best if you wish to offer audiences a lot of interactivity.
3DoF content refers to the fact that you can move your head up, down, left, right, and side to side, but not forward, backwards, etc. It's like your view pivoting around a central point. All 360/180VR video content is 3DoF
6DoF content allows you to also move forward, backward, side to side, etc. It's also referred to as "World Space" or "Room Scale" because it offers a fully tracked immersive experience. This is the most immersive VR and requires a game engine or programming in order to work.
A technique where sounds are tracked to your head position. For example, if you hear a bird chirping in your left ear and turn your head left in VR to look at the bird, when looking directly at the bird, it sounds like it is in front of you, just like real life. Spatial audio is very important to add to every immersive project.
A lot of 360 video is monoscopic, or 2D. The video looks like it's projected onto a flat sphere. Still very immersive and often sharper resolution as resources don't have to push different pixels to each eye separately.
Also known as 3D. The image has depth because each eye is comprised of a slightly different image mimicking the way that our eyes see the world. More immersive, but also much harder to do and with less resolution since it requries twice as many pixels to acheive the same level of clarity as monoscopic.
When viewing immersive content on a mobile phone, we call that a magic window since as you move the phone around, the image moves like you are looking through a window into another world. Not as immersive as headset, but much more accessible since nearly everybody has a smartphone capable of Magic Window.
An immersive video format where video is projected on a 180 degree sphere in front of you. This format is popular with Meta and Apple and provides the perfect balance of the feeling of immersion with the ability for creative direction and more traditional filmmaking techniques.
The pioneer of immersive video experiences, 360 immersive films fill your world completely so that no matter where you look, you feel transported to a new place.
Apple’s new 3D Video format consists of a 3D screen like watching a giant television in your environment (real or virtual). It’s the next generation of 3D video production designed specifically for virtual reality headsets.